Austin Osman Spare

He was the son of a London policeman. As a child, he showed an affinity for art, and he briefly attended an art school. At the age of 13, he left school to become an apprentice to a stained glass maker. At some point during his teen years, he met a woman known only as "Mrs. Patterson" who introduced him to magic and the occult, and gave him the mystic name "Zos."

In 1908 Spare exhibited his drawings at the Bruton gallery in London. His work resembled that of Aubrey Beardsley, but was full of grotesque, sexualized human figures and magical symbols. These elements appealed to avant-garde London intellectuals, and brought him to the attention of Aleister Crowley. Crowley initiated Spare into his order Argentium Astrum ("Of the Silver Stars") and he worked on Crowley's publication The Equinox for a time. Crowley and Spare, however later characterized Spare as a "Black Brother", meaning that he did not approve of the goals of Spare's magical philosophy.

In 1916, during World War I, Spare joined the British army, which he served as an official artist. He was posted to Egypt, where he became fascinated with the animal-headed gods of Egyptian mythology.

Spare's artistic and magical publications include Earth Inferno, The Book of Pleasure, The Focus of Life, and the unfinished Zos Kia Cultus, intended to be a grimoire containing his magical teachings, which focused on a somewhat sadomasochistic version of sexual magic. He was still working on his grimoire when he died on May 15, 1956.

His iconoclasm and aversion to moralism as well as his sigilization was influential on the Western esoteric tradition that later came to be known as chaos magic.

External link

• Austin Osman Spare Archive

• Fulgur Limited: Publishers of Austin Osman Spare

Referenced By